FictionalCities

Chloe Aridjis Book of Clouds Well here's refreshing - a novel about Berlin that's not a thriller. And make no mistake, this is a book about Berlin, not just a book set there. Tatiana from Mexico is living in Berlin and getting what work she can, when she is put in touch with an elderly historian who wants her to type up the tapes on which he monologues about aspects of Berlin's recent history and how events inhabit the city's spaces. So Tatiana's life and wanderings through the city are shadowed by the historian's observations as her friendship with him develops. It's all very Berlin, and a quick and easy yet stimulating and resonant read. The city is recognisable but mysterious and one of the themes of the novel is vacancy - what's not there being as important as what is. This is truly one of those rare books that stimulates both heart and head. Ariana Franklin City of Shadows The setting here is Berlin in the early 1920s. Germany has lost the 1914-18 war and is now losing the peace. Inflation is rampant and the streets are empty of people, who can't afford to go out, but full of thugs and violence. One of the few people growing fat on the collapse is Prince Nick, the owner of various profitable nightclubs of ill repute. When he hears of a woman in an asylum who thinks she's Anastasia, the secret survivor of the massacre of the Russian czar's family, he decides to acquire her and groom her. The plan involves his secretary Esther - a Jew and a pogrom survivor with a hideous scar on one side of her face and too much wit and initiative to sink comfortably into her role. Then people start to get murdered and 'Anastasia''s suspicions of a man who lurks in forests and follows her have to be taken seriously. The final essential character, a policeman with shadows of his own, now gets involved, in more ways than one. There's a lot of plot going on here, not fast but dense, and a lot of history (real and imagined) slipped into the action easily and readably. Smooth, convincing, and confidently evocative of the city in another of its tragic decades.
Ninja-sniper on Gendarmenmarkt roof. Original photo by Julie Grimes, May 2009		Phillip Kerr The Berlin Noir series: March Violets; The Pale Criminal; A German Requiem Kerr's PI, Bernie Gunther, investigates various nasty crimes against the nasty backdrop of pre-WWII Berlin. At first it seems odd to be concentrating on personal crimes whilst the streets are full of much worse transgressions, but the larger picture soon gets mixed in with the problems of the seemingly smaller fry. These books are real page-turners, to be sure, with only our hero's unfailing bedding of at least one willing female per novel adding a somewhat predictable note. The first two parts are set in Berlin, but the last book in the first trilogy takes Bernie to Vienna, with two further books published recently and set in Munich and Buenos Aires. Ian McEwan The Innocent Almost a thriller, this tells of a young engineer's introduction to the life of a spy and the love of a German woman in just-pre-wall Berlin. He's involved in the construction of a tunnel to listen in on the East's sensitive phone conversations. The tunnel and his relationship are simultaneously undermined as politics and his girlfriend's husband both rear their ugly heads. This has the visceral touches of McEwan's earlier novels and the involving complexity of his later stuff. The ambiguities of the allies' relationship and the details of the tunnelling are well covered, as is the joy of sexual discovery.

Maik Kopleck Past Finder - Berlin 1933-45 Past Finder - Berlin 1945-89 A matching pair of specialist guidebooks covering the war and the wall, basically. Both cover their ground efficiently and widely and are very smartly designed with good use of copious illustrations. They tell you where to go to find the scant traces and also give good background. They are both translated from the German, the first one with more style and smoothness than the second. Easy to find in Berlin, but not so elsewhere. Brian Ladd The Ghosts of Berlin - Confronting German History in the Urban Landscape A mind-boggling investigation of the arguments that developed around the demolishing, renovating or rebuilding of Berlin's many contentious buildings, statues, and even commemorative plaques. When your recent history is so awful what to do but reach back to a time before, but to do that sirs up feelings and meaning too as it can be argued that this period was what created the atmosphere for the way things developed. Not all the arguments and topics go in such a circular way, but this is all fraught and thought-provoking stuff. Heather Reyes and Katy Derbyshire eds. city-lit Berlin Another in this sterling series of city-themed compilations, this one follows the pattern of short excerpts gathered into chapters, that this time vary from the arbitrary to the perfect. The simplest one is also the most gripping: it's called The past is another country, but don't let that put you off. Its well-chosen pieces take you through Berlin's history from the early 19th Century to today, and make for an almost perfect, and very moving, slice through history. (It's interesting to note that even in the 1920s Berlin was a place renowned for building over its history.) The book choices are as eclectic as you could wish for, taking in most of the authors listed above - including the obvious choices like Isherwood, Kerr, Le Carre and Deighton - and some stuff new to me I'll be delving deeper into soon. Top of the list of latter include Ian Walker's Zoo Station and Beatrice Collin's The Luminous Life of Lilly Aphrodite. Further interest is added by co-editor Katy Derbyshire's translations of bits from works not otherwise available in English. This manages to be not just a fine and fascinating introduction to the literature, but to rise above its expected status as a dipping thing to become a mighty fine cover-to-cover read in itself.		Ian J Sanders The Ghosts of Berlin - Images of a divided city The is a something of a vanity-published book. The author is responsible for berlinphotos.co.uk and seems to have decided to put his site into print. The result is an uncheap floppy paperback full of black and white photos that are bleakly evocative of the place and time, but not reproduced to a very high quality, probably because they are reproduced from the colour originals viewable on the site.

A2Z Aimée & Jaguar Berlin: Symphony of a Great City 1927 A day in the life of a city, with the streets, factories, cafes and people of Berlin filmed in an artless way in 1927, and made into something more arty by the addition of music and by the editing. This can't help but be a fascinating portrait of a city on the brink of so much and there's more than enough strangeness and ordinariness to hold the attention for its short length. Berlin Alexanderplatz Alfred Döblin's novel has been filmed twice. The first was in 1931, with Döblin himself working on the adaptation. The second was Fassbinder's marathon 15+ hour German TV adaptation from 1980. The Big Lift About the Berlin airlift. Cabaret Christiane F. The Counterfeiters Cycling the Frame Cynthia Beatts' documentary of 1988, featuring Tilda Swinton cycling the wall, followed up in 2009 by The Invisible Frame. Faraway, So Close! The sequel to Wings of Desire. A Foreign Affair 1948 Filmed in Berlin just after the war this is the story of a visiting congresswoman learning more than she bargained for about the temptations and opportunities available to the occupying forces. The congresswoman is played by Jean Arthur and the soldier who shows her that all is not black and white is played by John Lund. The bar singer with the Nazi past here is Marlene Dietrich, and of course she has a 'dead' Nazi husband. The cynicism and sharp humour here are a joy, but clash somewhat with bursts of earnestness and bits of flag-waving. There are odd jarrings too in, for example, the jaunty music playing as our hero drives his jeep past the ruins to deliver a hard-won mattress to Marlene Dietrich (see screen-captures). The cynicism can sometimes smack of coldness, is what I'm getting at. But a fine film, with good footage from 1946, including aerial filming done by Wilder on a visit before the film was thought of. His next one was the wonderful Sunset Boulevard.		Two screen-grabs from A Foreign Affair
Funeral in Berlin The second of a trio of Len Deighton adaptations starring Michael Caine. The Good German This is Steven Soderbergh's homage to film noir, and to films like The Third Man and Casablanca and so it's not just in black and white, it's presented in a 4:3 format too, that is it's square like old films and not widescreen. It's set in Berlin at the time of the Potsdam Conference, so it's all about East/West mistrust and deception, with large doses of Nazi-chasing and moral ambiguity. George Clooney does his Cary Grant thing and Cate Blanchett glams up nicely as the prostitute with the possibly-dead Nazi husband. Post-war Berlin looks as full of rubble and ruins as you'd imagine, with some suitable sets and also digital backdrops reputedly derived from footage unused by Billy Wilder from the filming of his 1948 film A Foreign Affair. Atmospheric and entertaining. Helsinki-Napoli All Night Long Invincible A Herzog-directed film about a Jewish strongman in 1930s Berlin, featuring Tim Roth and strong flavour of the occult. The Invisible Frame Cynthia Beatts' follow-up to Cycling the Frame, her documentary film of 1988. This time Tilda Swinton cycles the same wall route 21 years later. See here. Judgment in Berlin The Legend of Paul and Paula The Lives of Others In Berlin in 1984 a coldly efficient Stasi agent spying on a playwright and his actress wife suddenly acquires humanity. A moving picture of life in the GDR and state oppression. The East German locations have an authentic feel even if, as the IMDB reveals, the old-style interior of the couple's flat does not match the more modern Soviet-style exterior. M		Two from The Good German
The Man Between 1953 Directed by Carol Reed, but not as special as the The Third Man. Claire Bloom is Susanne, the younger sister of a British Army doctor working in Berlin just after the war. The doctor's new wife (played by Hildegard Knef) acts oddly from the start and as the plot develops her connection to Ivo, a shady character played by James Mason, becomes clearer and the murk deepens. I've never been a big fan of James Mason but he manages the mixture of slime and charm here pretty well, and Claire Bloom charms too, in a selection of odd upstanding collars, with a seductive mixture of virginity and bravery. The developing East-West divide is a major plot feature, along with two leads' developing relationship which is a little unconvincing, but nicely played. And the ruins are everywhere, sad and atmospheric. Unfortunately only available on DVD in Germany. The copy I watched seems to have been trimmed top and bottom to make it fit widescreen, which I'm hoping the German DVD hasn't been, as it's listed as being 4:3.		From The Man Between
One, two, three 1961 Thirteen years after A Foreign Affair Billy Wilder returns to Berlin for a cold-war comedy starring James Cagney as a Coca-Cola exec whose management skills are sorely tried by the arrival of the boss's daughter. She marries a communist from East Berlin, triggering the need for some subterfuge and much humour in the East/West, poor/rich, democratic/communist vein. The commie boyfriend is played by Berlin-born Horst Buckhholz, a year after he played the Mexican member of The Magnificent Seven. Some of the humour has dated and now seems a little obvious, there's a fair amount of the farcical, but also some mighty sharp lines, so this is still all pretty funny. The locations show more rebuilding than ruins this time, except in the East, where ruination still ruled, it seems (see right). The wall went up just after this film was made, thereby pretty much sucking all the humour out of the situation and dooming this film to a wait of 30 years for things to lighten up. People on Sunday Run, Lola, Run		Two from One, two, three
Shining Through Sonnenallee The Spy Who Came In From The Cold The 1965 film adaptation of Le Carre's novel stars Richard Burton and Claire Bloom. Tunnel 28 (Escape from Berlin) Wings of Desire (Der Himmel über Berlin) Bruno Ganz plays one of the angels of Berlin, whose task and pleasure is to mind-read and monitor the lives of others, and so learn what it is to be human. Then after falling for a female trapeze artist he becomes human to meet her. This is a meandering, rather than a progressing, film that might annoy you in its decision to 'go nowhere' but if you sit back and patiently let yourself go with its slow flow you'll be rewarded with some glowing monochrome photography, some humour, some moments of real humanity, and lots of Berlin. One of the things which this film is about is Berlin in the late 80s, and Wenders does justice to his favourite city, to say the least. The locations are very telling and therefore often pretty bleak. There's a lot of wall-spotting to be done and in one long scene an old man and another angel wander around a huge area on no-man's-wastelend that is now the skyscraper-congested Potzdamer Platz.		Two from Wings of Desire

Chloe Aridjis Book of Clouds Paul Beatty Slumberland Rebecca Cantrell A Trace of Smoke Len Deighton Funeral in Berlin Winter: A Berlin Family, 1899-1945 Berlin Game Alfred Doblin Berlin Alexanderplatz David Downing Zoo Station Ariana Franklin City of Shadows Pierre Frei Berlin: A Novel Robert Harris Fatherland Christopher Isherwood The Berlin Novels: Mr Norris Changes Trains; Goodbye to Berlin Joseph Kanon The Good German Phillip Kerr The Berlin Noir series: March Violets; The Pale Criminal; A German Requiem Ian McEwan The Innocent Vladimir Nabokov The Gift Laughter in the Dark Mary Piers Paul Read Patriot in Berlin Michael Pye The Pieces from Berlin Sven Regener Berlin Blues Vikram Seth Two lives